Tag Archives: candy crush

King Digital launches Candy Crush jewelry lines with Mrinalini Chandra

December 1, 2017 | 12:13 pm


King Digital Entertainment, the developer of highly popular mobile game Candy Crush has inked pact with one of the leading Indian designers Mrinalini Chandra for a range of jewelry.

A part of strategy strengthening Candy Crush consumer products offering in India, the range includes necklaces, bracelets, earrings, brooches and rings inspired by the deliciously sweet world of Candy Crush.

The deal was facilitated and is being managed by Dream Theatre, King’s licensing agent in India and South Asia.

The range comprises of two parts; the more competitively priced range features 2D colored candy shapes while the premium range is made from gold and features 3D versions of the candies. The premium range also offers a series of Kaleera.

Commenting on the launch, Philippe Bost, VP International Consumer Products, Activision Blizzard said, “We’re delighted to be able to offer an array of Candy Crush inspired jewellery to long-time fans of the game.”

Commenting on the range, jewelry designer Mrinalini Chandra said: “We are very excited about our collaboration with Candy Crush. Our jewelry comprises of hand crafted pieces inspired by the game with a quirky but chic aesthetic that is emblematic of our label. It will incorporate traditional craft techniques of Meenakari and Jaali from India infused with modern design aesthetics. Launching in the festive season, the range has something to offer every candy-lover.”

Adding to it, Jiggy George, founder & CEO of Dream Theatre said “We are thrilled to have facilitated this partnership between Candy Crush and Mrinalini Chandra. The collection is stunning, making it ideal for Candy Crush fans and fashionistas alike.”

The collection is available on www.mrinalinichandra.com and leading ecommerce sites.

Candy Crush Saga and its sister title, Candy Crush Soda Saga, are two of the top 10 grossing mobile games in the U.S. Over one trillion game rounds have been played in Candy Crush Saga alone since its launch.

King continues to grow its consumer products offering across the globe supported by its global network of 19 licensing agents. King has signed 145 licensees to date.

Candy Crush soon to be a TV series

October 22, 2016 | 7:17 am


Riding high on the popularity, Lionsgate is chalking out plans to produce a live-action game show series based on renowned mobile gaming franchise Candy Crush Saga.

Created and exec produced by Matt Kunitz, the hour-long Candy Crush series will see teams of two physically competing on enormous interactive game boards that feature next-generation technology  for the chance to be crowned Candy Crush champions.

A series host will be announced at a later date.

“We are huge fans of Candy Crush and, like so many others, we know the ‘rush’ of advancing to the next level of the game,” said Glenn Geller, President, CBS Entertainment.  “We’re excited to work with Lionsgate and King to adapt one of the world’s most popular and entertaining game franchises for television and make it available to its massive, passionate fan base who can watch and play along at home.”

“We’re excited to work with Lionsgate and King to adapt one of the world’s most popular and entertaining game franchises for television and make it available to its massive, passionate fan base who can watch and play along at home.”

Launched in 2012, the game sees players matching colorful candies in combinations of three or more to win points and progress to levels. An estimated 18 billion game rounds of Candy Crush Saga and sister title Candy Crush Soda Saga are played every month globally.


Candy Crush to make publishing debut with Little Brown book titles

September 28, 2015 | 1:00 pm


Popular online game franchise Candy Crush is entering the world of publishing with a new deal with global publishing licensee, Little Brown.

In partnership with King Digital Entertainment, the creators of the hit mobile and online gaming title, Little Brown will launch the first two books in the Candy Crush collection this autumn.

The Official Candy Crush Saga Top Tips Guide and The Candy Crush Colouring Book have been developed exclusively to offer fans of the game an in-depth look at the Candy Kingdom and its parallel Dreamworld, as well as offer adults the chance to further engage with the popular brand.

“We are excited to partner with Little Brown to create the first Candy Crush inspired book collection,” said Claes Kalborg, senior director of licensing at King.

“The Candy Crush online community is always hungry for tips to pass tricky levels so we are confident this comprehensive guide will be a hit with players. Additionally, we have combined two of the hottest trends right now – mobile gaming and adult colouring – to produce the Candy Crush colouring book which is as intricate and beautifully designed as the game itself.”

Adam Strange, publishing director for Sphere non-fiction at Little Brown, added, “We are delighted to be working with King and the Candy Crush team and these first two projects have tremendous potential.


From Gaming to digital properties


Gaming is swiftly making its presence felt both as a digital property as well as licensing category and sensing the change, investors are welcoming game developers with open hands and huge funds.

While entertainment dominates the licensing industry globally, an interesting phenomenon has emerged in the last few years and no retailer wants to miss upon the opportunity. Gaming – the one of the latest categories on board is swiftly making its presence felt both as a digital property as well as licensing category.

Started in early 90s with Mario and Contra, this sector has seen tremendous growth in short span of time with Smartphones and dedicated gaming systems taking over the market, games being derived from movies or celebrities and being referred to as digital properties.

The fillip to licensing in gaming industry

Temple Run, Candy Crush and Angry birds, when appeared on screens, took the industry by storm while offering the much needed thrust to it. Leading the brigade is of Angry Birds, a property that debuted in 2009 as a casual puzzle game and soon became not just one of the most played and downloaded games, but also a licensing phenomenon.

“The Angry Birds Licensing and Merchandising story and its phenomenal success speaks volumes of the sheer potential of the licensing story in India; it cuts across age groups and more importantly geography,” says Jiggy George, Founder and CEO, Dream Theatre who represents Angry Birds, Candy Crush and Talking Tom in India.

For George, Angry Birds seem to be an obvious choice. Rovio – the paren company of Angry Birds, had 30 per cent of its revenues coming from licensed merchandise as early as 2011 and today Angry Birds sits among the top 20 licensed property list  with licensing revenues in excess of US$ 500 million.

“The answer lies in getting the product, price and availability matrix right and we are very thrilled with Angry Birds growth story in India,” adds George while sharing the success story of the game. Worldwide some other digital properties pushing the boundries successfully are Moshi Monsters,  Candy Crush, Talking Tom, Temple Run Subway Surfers, Star doll etc.

The strengths of this genre in licensing lie in cross-platform, mainly iOS and android based games, increasing exposure to internet and zero dependence on channels  like theatricals or TV properties. Once the popularity spreads and fans get hands on, the addiction traverse to buying licensed merchandise including stationary, accessories, collectibles etc. while apparel being the hot-selling products.

Further, the popularity spreading fast at digital platform also adds to the value of IP. There is a dedicated digital audience at hand, who the property owners can communicate with in no time, about new products, promotions and also gain marketing insights from directly.

Angry Birds is one of the largest licensing programmes in India with 500+ products across 10 categories and available in a 1500+ stores and leading MBOs and on all major portals. 

Gaming as extension

In times when games are becoming IPs, there also exists an opportunity to exploit this industry as a tool for expansion. Movies including the likes of Prince of Persia, Dennis the Menace, Mad Max, Lord of the Rings and Bollywood flicks such as Dhoom2, Ra-One, Krissh have been successfully converted into digital games.

While West exploits the industry as extension tool, in India, gaming industry is seen more as a promotional strategy before release of movies.

Abhinav Chokhavatia, Founder & CEO, Zatun says, “Normally what happens is that when a lot of movies come out, games also come in market around those movies, which help promote the movie as well. But most of the times, games are released just an addition and not much thought is given into it. While in west, when a movie is released – for instance ‘Lord of the rings’, the game is given equal treatment as the movie is. So, the licensing deal for gaming takes place almost at the time when movie production begins.”

A prominent reason for movie-based games not being successful in India is the availability of games limited to Smartphone only and not across platforms. Another factors is the Rs. 50 plus transaction-point which does not attract many consumers.

Decoding the future 

Globally, 44 per cent of smartphones and tablets are used for gaming and by 2018 the count of mobile game users is expected to reach one billion. More than 100 million apps are downloaded every day, with games being the most popular category among paid apps

With rising smartphone and tablet penetration, the mobile gaming industry in India is expected to touch Rs 2,620 crore by 2019, with a year-on-year growth of 20 per cent, according to a recent report by FICCI-KPMG.

However, the sector must do its bit to stay on top as it requires constant innovations and additions to not just grow the market share, but to keep the fans engaged, it needs marketing innovations to stay top of mind in the ever-changing digital world and from a licensing perspective needs a strong programme and strategy.

One needs also needs to drive awareness across retailers, both brick and mortar as well as online,  because they may not be in tune with the latest property making waves among consumers – that last mile awareness becomes critical for making digital properties available to fans yearning for them.”